These compact amps in a pedal, retail for only $249 each. The 16 user preset locations can save loops as well as effect settings.The Foxgear 100W Series is a line of pedal-sized guitar amplifiers. The looper section is more powerful and sophisticated than most (the reverse function is a blast), but it too is very straightforward and intuitive to use. Just take the time to familiarize yourself with the process for saving presets, which you certainly will want to do. With effects as unique as these, my advice is to just dig in and start tweaking knobs to see where it leads you and what inspires your creative impulses. Generally, effects that provide the Microcosm’s level of sophistication require an advanced degree to program and operate, but here operation is surprisingly straightforward and simple. The way some of the effects howl and smear when distorted could even work in a progressive metal context. Clean amp settings are best when you want to hear the finest nuances of its gritty Granules and skittering Glitch effects, but I also loved the wondrous clatter and noise it offers with high-gain settings both in front of an amp and inserted in an effects loop. Words cannot do justice to the complex and richly textured tones the Microcosm generates. Ambient and progressive guitarists will definitely love the incredibly complex sounds it generates, but open-minded players of other genres will likely figure out creative uses for it unless they exclusively play traditional styles like blues, rockabilly and old-school country. This is a deeply inspirational pedal that dictates very distinct sounds, note patterns, textures and rhythms that are anything but subtle. Whereas most stompboxes provide effects that are like frosting on a cake, the Hologram Microcosm is an entire instrument that’s more like the cake itself with decadent frosting, shiny, sparkly sprinkles and a detailed three-dimensional candy rendering of Hokusai’s Great Wave of Kanagawa on top. Hologram Electronics Microcosm Performance When Hologram says that the Microcosm generates new sounds, the company is not kidding: this unit offers effects that are truly unlike anything else out there. The Microcosm is Hologram’s latest offering, described as a “granular effects pedal” that employs delay, looping, pitch shifting and sampling as well as reverb, modulation and filtering to generate truly fascinating tones, textures and rhythmic patterns. Hologram is part of this new breed of boutique builder, founded in 2015 by Jason Campbell and Ryan Schaefer, who have backgrounds in engineering and software design but are also musicians. However, recently the boutique pedal realm has undergone a renaissance of sorts where a growing number of smaller companies are developing some truly cutting-edge stompboxes with intensely progressive technology and features. Sophisticated, high-tech effects were the domain of bigger companies with bigger budgets and armies of engineers, which led to some stellar innovations that unfortunately often lacked the personality and quirk that comes from more individual creativity. For decades, the boutique pedal market consisted mostly of builders who refined somewhat low- to middle-tech designs and relied heavily on obscure and obsolete new old stock parts that were too rarified for mass consumption.
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